Educational Background
Northumbria University
PhD, 18th Century Medical Humanities
My PhD is funded by the Leverhulme Trust as part of the three-year Major Project, 'Writing Doctors: Representation and Medical Personality ca. 1660-1832. My thesis will focus on medical creativity during the 18th century.
Principle supervisor: Prof. Clark Lawlor
Supervisors: Prof. Allan Ingram and Dr. Ashleigh Blackwood
2019 –
More information about the project can be found here: on the Writing Doctors website.
University of Birmingham, Shakespeare Institute
MA, Shakespeare and Theatre, Distinction
Dissertation: ‘White and Black Magic in Shakespeare’s The Tempest and Marlowe’s Doctor Faustus’. Mark achieved: 78.
Supervisor: Dr. Chris Laoutaris.
2015 – 2016
University of Kent
MDrama (Hons), Drama and Theatre Studies (with a year abroad), First Class Honours
2010 – 2014
Universiteit Utrecht
Year Abroad (the Netherlands), Comparative Literature, 8.5 (First Class Cum Laude)
2012 – 2013
PhD, 18th Century Medical Humanities
My PhD is funded by the Leverhulme Trust as part of the three-year Major Project, 'Writing Doctors: Representation and Medical Personality ca. 1660-1832. My thesis will focus on medical creativity during the 18th century.
Principle supervisor: Prof. Clark Lawlor
Supervisors: Prof. Allan Ingram and Dr. Ashleigh Blackwood
2019 –
More information about the project can be found here: on the Writing Doctors website.
University of Birmingham, Shakespeare Institute
MA, Shakespeare and Theatre, Distinction
Dissertation: ‘White and Black Magic in Shakespeare’s The Tempest and Marlowe’s Doctor Faustus’. Mark achieved: 78.
Supervisor: Dr. Chris Laoutaris.
2015 – 2016
University of Kent
MDrama (Hons), Drama and Theatre Studies (with a year abroad), First Class Honours
2010 – 2014
Universiteit Utrecht
Year Abroad (the Netherlands), Comparative Literature, 8.5 (First Class Cum Laude)
2012 – 2013
Japanese Object Research, the National Trust
I work with the National Trust in identifying and researching objects from their extensive collection; my current project is based at Dyffryn Gardens, Wales, where I have an array of misidentified bronze statues that I am working on. Thus far, I have uncovered the identify of three of these Japanese statues, and have produced comprehensive accompanying research essays on their subjects for internal circulation within the National Trust’s database, and created clear and concise versions for public consumption during their visits to the property. I have also catalogued incorrectly classified Japanese objet d’art at Croome Court, England.
Fujin, God of Wind.
Dyffryn Gardens, Wales
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Botanka Shohaku, Renga and Waka Poet.
Dyffryn Gardens, Wales
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